Workaround for a Pantone Plus selection glitch in CS6 | InDesignSecrets
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July 5, 2012
A newly-minted InDesign CS6 user e-mailed us this query:
I wanted to see if there is a way to change the display of the Pantone Plus book colours instead of by colour/grouping, listing them numerically. If you try to type certain numbers in it, you can't find them (ie: 543 always defaults to 5435 and you aren't allowed to change it/delete the additional "5"). Any assistance would be greatly appreciated.
Unfortunately, I can't see any way to change the order of the swatches in any of the color libraries in the New Swatch dialog box. My guess is that since they're embedded in a dialog box (as opposed to a panel, as in Illustrator, where you can sort a library's swatches by name), InDesign can't really provide that flexibility.
It is frustrating that in earlier versions, though, you could enter "543" in the Pantone spot color Find field to get Pantone 543, and "5435" to get 5435; but you can't in CS6-as you said, it always jumps to 5435. The only way I was able to find Pantone 543 in the screen shot below was by typing "54" and then using my up and down arrow keys for a few minutes until I found the sucker.
I believe this is a bug with the new Pantone+ libraries in InDesign CS6, and hope that it's something easily fixed in an upcoming patch.
In the meantime, I have a somewhat drastic, but I believe safe, workaround: Add an older version Pantone swatch library back into the program, and use that to select your spot color.
Adding back an older Pantone swatch library
Before I get to the how-to on adding a swatch library to InDesign CS6 (and it's quite simple), let me explain. The main difference between the older Pantone libraries and the new Pantone+ ones in InDesign CS6 is how the spot colors are defined internally for on-screen display: as CMYK (old version) or Lab (new Plus version). The Lab values, having a wider gamut, give a more accurate preview on screen. Illustrator has been using Lab values for its Pantone spot colors since CS2.
For the past few versions of InDesign, you could (and still can) make the older Pantone swatches use Lab definitions by choosing "Use standard Lab values for Spots" in the Ink Manager (available in the Swatches panel menu). When InDesign is using the Lab values, a little icon indicating a Lab color next to the spot color icon appears - here it is in close-up:
The Lab color definition is also used if you convert your spot colors to process, or if objects filled with a spot color are part of certain transparency effects. If you're working in a tightly managed color workflow, you'll need to pay attention to these kinds of things. But if all you're doing is using a spot for a spot, when you print out CMYK + spot separations, it makes no difference how things looked on screen. Whether Pantone 5435 is defined to display onscreen as Lab or as CMYK, either will end up on the same separation plate and be the same exact ink on paper.
Okay, now let's move on to the how-to: I found a wonderful Adobe help document all about Pantone Plus, aimed at Illustrator users, that also has instructions for InDesign users. It's called , and instructs Illustrator (and InDesign) users how to replace the newer Lab-based Pantone libraries with the older CMYK-based ones. (I would never recommend that personally, but I suppose if for some reason that's the only solution for your workflow, it'd be a relief to know how to to switch back.)
What's great is that for our purposes, this Help file has a ZIP file of the Pantone libraries, so we don't have to use the Pantone Color Manager application (a bit problematic) to fiddle with our swatch libraries, we can just drag and drop them manually. Look at that
online document, about 2/3 of the way down (at the end of its "Workaround 1" instructions), and you'll find a link to the older Pantone swatch libraries, . Download that zip file, extract the contents, and copy over just the libraries you need to your InDesign application folder.
The "Workaround 1: Adobe InDesign CS6" steps in the Help file show you exactly where the files should go, so follow their instructions. Remember though that the instructions are all about replacing files, but we're not doing that .. .just adding them. The filenames are different so there's no worries. The new ones you add appear at the bottom of the list. Here I added PANTONE solid coated and PANTONE solid matte, the spot libraries I use 99% of the time:
Now if I find I'm fighting with an overly zealous autocomplete in CS6's Pantone swatch picker, I can just quickly switch to the older Pantone library at the bottom of the dropdown menu. In that library, I can enter "543" in the spot color Find field and get Pantone 543, simple as that. (Remember, it's the same color as the Pantone+ library!) If I want Pantone 5435, I can use either the Pantone+ or the older Pantone library.
To keep things consistent, make sure InDesign always uses Lab values for spots by enabling that checkbox in the Ink Manager. Do this with no documents open so it becomes an application default.
Anne-Marie “Her Geekness” Concepción is the co-founder (with David Blatner) and CEO of , which produces InDesignSecrets, InDesign Magazine, and other resources for creative professionals. Through her cross-media design studio, , Anne-Marie develops ebooks and trains and consults with companies who want to master the tools and workflows of digital publishing. She has authored over 20 courses
on these topics and others. Keep up with Anne-Marie by subscribing to her ezine, , and contact her by email at
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Warm Gray 2
Warm Gray 3
Warm Gray 4
Warm Gray 5
Warm Gray 6
Warm Gray 7
Warm Gray 8
Warm Gray 9
Warm Gray 10
Warm Gray 11
Cool Gray 1
Cool Gray 2
Cool Gray 3
Cool Gray 4
Cool Gray 5
Cool Gray 6
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PANTONE colorist - PANTONE coated
yellow 012C
orange 021C
warm red C
Rubine Red C
Rhodamine Red C
Reflex Blue C
Process Blue
Process Yellow C
Process Magenta C
Process Cyan C
Process Black
Hexachrome Yellow C
Hexachrome Orange C
Hexachrome Cagenta C
Hexachrome Cyan C
Hexachrome Green C
Hexachrome Black C
Hexachrome C
Hexachrome C
Hexachrome C
Hexachrome C
Hexachrome C
Hexachrome C
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Orange 021C
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<td bgcolor="#8cC
<td bgcolor="#15C
<td bgcolor="#e1C
<td bgcolor="#c4C
<td bgcolor="#a6C
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Rubine Red C
<td bgcolor="#8aC
<td bgcolor="#5cC
<td bgcolor="#c0C
<td bgcolor="#6fC
<td bgcolor="#5aC
Rhodamine Red C
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<td bgcolor="#48C
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Reflex Blue C
<td bgcolor="#2C
<td bgcolor="#7C
<td bgcolor="#8C
<td bgcolor="#9C
<td bgcolor="#3C
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<td bgcolor="#6C
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Process Blue C
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Warm Gray 1C
Warm Gray 2C
Warm Gray 3C
Warm Gray 4C
Warm Gray 5C
Warm Gray:暖灰
Warm Gray 6C
Warm Gray 7C
Warm Gray 8C
Warm Gray 9C
Warm Gray 10C
Warm Gray 11C
Cool Gray 1C
Cool Gray 2C
Cool Gray 3C
Cool Gray 4C
Cool Gray 5C
Cool Gray：冷灰
Cool Gray 6C
Cool Gray 7C
Cool Gray 8C
Cool Gray 9C
Cool Gray 10C
Cool Gray 11C
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PANTONE colorist - PANTONE uncoated
yellow 012 U
orange 021U
warm red U
Rubine Red U
Rhodamine Red U
Reflex Blue U
Process Blue
Process Yellow U
Process Magenta U
Process Cyan U
Process Black
Hexachrome Yellow U
Hexachrome Orange U
Hexachrome Cagenta U
Hexachrome Cyan U
Hexachrome Green U
Hexachrome Black U
Hexachrome U
Hexachrome U
Hexachrome U
Hexachrome U
Hexachrome U
Hexachrome U
<td bgcolor="#1U
<td bgcolor="#8U
<td bgcolor="#9cU
<td bgcolor="#8aU
<td bgcolor="#8cU
<td bgcolor="#9U
<td bgcolor="#8fU
<td bgcolor="#8fU
<td bgcolor="#efU
<td bgcolor="#ebU
<td bgcolor="#c6U
<td bgcolor="#4U
<td bgcolor="#efU
Orange 021U
<td bgcolor="#afU
<td bgcolor="#8dU
<td bgcolor="#d8U
<td bgcolor="#e9U
<td bgcolor="#15U
<td bgcolor="#eaU
<td bgcolor="#e6U
<td bgcolor="#7dU
<td bgcolor="#e4U
<td bgcolor="#75U
<td bgcolor="#e7U
<td bgcolor="#e1U
<td bgcolor="#b5U
<td bgcolor="#e7U
Warm Red U
<td bgcolor="#7dU
<td bgcolor="#e8U
<td bgcolor="#dcU
<td bgcolor="#9aU
<td bgcolor="#15U
<td bgcolor="#e3U
<td bgcolor="#dbU
<td bgcolor="#6dU
<td bgcolor="#cdU
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<td bgcolor="#d2U
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<td bgcolor="#8fU
<td bgcolor="#c5U
<td bgcolor="#b8U
<td bgcolor="#8U
<td bgcolor="#9U
<td bgcolor="#c9U
<td bgcolor="#7bU
Rubine Red U
<td bgcolor="#baU
<td bgcolor="#7U
<td bgcolor="#9U
Rhodamine Red U
<td bgcolor="#a5U
<td bgcolor="#1U
<td bgcolor="#7eU
<td bgcolor="#9U
<td bgcolor="#8bU
<td bgcolor="#9U
<td bgcolor="#02U
<td bgcolor="#83U
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<td bgcolor="#6bU
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<td bgcolor="#56U
<td bgcolor="#66U
<td bgcolor="#4cU
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<td bgcolor="#38U
<td bgcolor="#9U
Reflex Blue U
<td bgcolor="#0U
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<td bgcolor="#5U
<td bgcolor="#6U
<td bgcolor="#25U
<td bgcolor="#55U
<td bgcolor="#65U
<td bgcolor="#9U
<td bgcolor="#3aU
<td bgcolor="#3U
<td bgcolor="#15U
<td bgcolor="#35U
Process Blue U
<td bgcolor="#9U
<td bgcolor="#5U
<td bgcolor="#6U
<td bgcolor="#45U
<td bgcolor="#3aU
<td bgcolor="#1U
<td bgcolor="#3U
<td bgcolor="#8U
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<td bgcolor="#05U
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<td bgcolor="#0U
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<td bgcolor="#8eU
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<td bgcolor="#95U
<td bgcolor="#9dU
<td bgcolor="#8aU
<td bgcolor="#6eU
<td bgcolor="#9U
<td bgcolor="#3U
<td bgcolor="#7eU
<td bgcolor="#5U
<td bgcolor="#7eU
<td bgcolor="#6cU
<td bgcolor="#a1U
<td bgcolor="#8U
<td bgcolor="#7fU
Warm Gray 1U
Warm Gray 2U
Warm Gray 3U
Warm Gray 4U
Warm Gray 5U
Warm Gray=暖灰
Warm Gray 6U
Warm Gray 7U
Warm Gray 8U
Warm Gray 9U
Warm Gray 10U
Warm Gray 11U
Cool Gray 1U
Cool Gray 2U
Cool Gray 3U
Cool Gray 4U
Cool Gray 5U
Cool Gray＝冷灰
Cool Gray 6U
Cool Gray 7U
Cool Gray 8U
Cool Gray 9U
Cool Gray 10U
Cool Gray 11U
<td bgcolor="#6aU
<td bgcolor="#0U
<td bgcolor="#1U
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