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butterfly fly away是美国歌手的一首歌曲作品，歌曲内容表达了作者充满了对美好未来的憧憬，对美好事物的向往。歌曲原唱引&&&&用《》
歌手：麦莉·赛勒斯
爱称：miles（）
原名 :Destiny Hope Cyrus（命运·希望·赫拉）
国籍 :美国
出生地 :美国富兰克林,
出生日期 :日
新书名：（《Miles To Go》中文版，miley的自传）
唱片公司 :Walt Disney Records,(2006至今) 　Hollywood,(2007至今） 　喜爱的明星：猫王/迈克尔杰克逊（自传中提到过）
师姐：Christina Aguilera
师妹：Selena Gomez、Demi Lovato
圈中好友：Ashley Tisdale、Emily Osment、Selena Gomez、Jonas Brothers、Mitchel Musso、Taylor Swift、Demi Lovato 、Vanessa Hudgens 、Justin Bieber
身高：5' 4(1.64 m)（IMDB权威资料）
体重：48KG（尚在发育中）
御用礼服品牌：Zuhair Murad
最喜欢的中餐馆：熊猫快餐店
最喜欢的活动：购物
最喜欢的颜色：紫色
地位：小甜甜布兰妮接班人CD cover[1]从小就对音乐产生浓厚的兴趣，在很小的时候便开始写歌和学习唱歌。在2005年，她终于可以把自己的音乐才华发挥在工作上，她在美国迪士尼频道的青春喜剧《》(Hannah Montana) 中饰演女主角麦莉·史都华。在《》于日在美国首播后，麦莉便在美国爆红。之后又拍摄了电影版的《》，并于日首映。&butterfly fly away&就收录在其电影版中。
电影场景：亭子，农庄，蝴蝶，父女情，还有最后依偎的背影，一切都是那么的美好...You tuck me in, turn out the light
kept me safe and sound at night
Little girls depend on things like that
Brushed my teeth and combed my hair
Had to drive me everywhere
You were always there when I looked back
You had to do it all alone
Make a living, make a home
Must have been as hard as it could be
And when I couldn't sleep at night
Scared things wouldn't turn out right
You would hold my hand and sing to me
Caterpillar in the tree
How you wonder who you'll be
Can't go far but you can always dream
Wish you may and wish you might
Don't you worry, hold on tight
I promise you there will come a day
Butterfly fly away
Butterfly fly away (Butterfly fly away)
Got your wings, now you can't stay
Take those dreams and make them all come true
Butterfly fly away (Butterfly fly away)
You've been waiting for this day
All along and know just what to do
Butterfly, Butterfly, Butterfly, Butterfly fly away
Butterfly fly away
Butterfly fly awayYou tuck me in, turn out the light 你给我把被子盖好，关上灯
kept me safe and sound at night 让我夜里能安心地酣睡
Little girls depend on things like that 小女孩们依赖这样的事儿
Brushed my teeth and combed my hair 刷牙，梳理头发
Had to drive me everywhere 开车带我去各个地方
You were always there when I looked back当我回望时，你总在那儿
You had to do it all alone 你总要一个人做这些事
Make a living, make a home 赚钱，养家
Must have been as hard as it could be 无论多艰苦
And when I couldn't sleep at night当我夜里不能入睡时
Scared things wouldn't turn out right 害怕的东西袭来时
You would hold my hand and sing to me 你会握住我的手，轻声哼唱
Caterpillar in the tree 树里藏着的毛毛虫啊
How you wonder who you'll be 你疑惑你的未来
Can't go far but you can always dream 无法高飞，但永远有梦
Wish you may and wish you might 希望你可以
Don't you worry, hold on tight 别担心，坚持到底
I promise you there will come a day 我向你承诺，
Butterfly fly away 你化蝶飞远
Butterfly fly away (Butterfly fly away) 蝴蝶也可以远飞（蝴蝶也可以远飞）
Got your wings, now you can't stay 当你拥有翅膀，你就别停留原地
Take those dreams and make them all come true 带上梦想，让它们成为现实
Butterfly fly away (Butterfly fly away) 蝴蝶也可以远飞（蝴蝶也可以远飞）
You've been waiting for this day 你已经为这一天等了很久
All along and know just what to do 你一直知道要怎么做
Butterfly, Butterfly, Butterfly, Butterfly fly away 蝴蝶啊，蝴蝶啊，蝴蝶啊，蝴蝶也能远飞
Butterfly fly away 蝴蝶也能远飞...
Butterfly fly away 蝴蝶也能远飞...Chords Used: Capo 4
Cadd9 - 032033
G6 - 020033
A7sus4 - 002033
Dsus4 - 000233
D - 000232
Intro: Cadd9 - G6 - A7sus4 - G6- Cadd9 - G6 - A7sus4 - G6
You tucked me in
Turned out the light
Kept me safe and sound at night
Cadd9 G6 A7sus4 G6
Little girls depend on things like that
Brushed my teeth and combed my hair
Had to drive me every where
Cadd9 G6 A7sus4 G6
You were always there when I looked back
You had to do it all alone
Make a living, make a home
Cadd9 G6 A7sus4 G6
Must have bin as hard as it could be
And when I couldn't sleep at night
Scared things wouldn't turn out right
Cadd9 G6 Dsus4 D
You would hold my hand and sing to me
Caterpillar in the tree
How you wonder who you'll be
Cadd9 G6 A7sus4 G6
Can't go far but you can always dream
Wish you may and wish you might
Don't you worry, hold on tight
Cadd9 G6 Dsus4
I promise you there will come a day
D Cadd9 G6 A7sus4 G6
Butterfly fly away
Butterfly fly away(butterfly fly away)
Got your wings now you can't stay
Cadd9 G6 A7sus4 G6
Take those dreams and make them all come true
Butterfly fly away(butterfly fly away)
You've bin waiting for this day
Cadd9 G6 A7sus4 G6
All along and known just what to do
Cadd9 G6 A7sus4 G6 Cadd9
Butterfly, Butterfly, Butterfly, Butterfly fly away
G6 A7sus4 G6
Cadd9 G6 A7sus4 G6
Cadd9 G6 A7sus4 G6
Cadd9 G6 A7sus4 G6
新手上路我有疑问投诉建议参考资料 查看From Wikipedia, the free encyclopedia
For other uses, see
It has been suggested that
into this article. () Proposed since April 2015.
bronze plate found on , .
Berserkers (or berserks) were Norse
who are primarily reported in the
to have fought in a nearly uncontrollable, -like fury, a characteristic which later gave rise to the English word berserk. Berserkers are attested to in numerous Old Norse sources.
The ?lfhé?nar (singular ?lfhe?inn), another term associated with berserkers, mentioned in the ,
and the , were said to wear the pelt of a wolf when they entered battle. ?lfhé?nar are sometimes described as 's special warriors: "[Odin’s] men went without their mailcoats and were mad as hounds or wolves, bit their shields...they slew men, but neither fire nor iron had effect upon them. This is called 'going berserk.'" In addition, the helm-plate press from Torslunda depicts (below) a scene of Odin with a berserker—"a wolf skinned warrior with the apparently one-eyed dancer in the bird-horned helm, which is generally interpreted as showing a scene indicative of a relationship between berserkgang... and the god Odin"—with a wolf pelt and a
as distinguishing features.
The name berserker derives from the
berserkr (plural berserkir). This expression most likely arose from their reputed habit of wearing a kind of shirt or coat (serkr) made from the
of a bear (ber-) during battle. The bear was one of the animals representing Odin, and by wearing such a pelt the warriors sought to gain the strength of a bear and the favor of Odin.
The element ber- was sometimes interpreted as berr-, meaning "bare", which
understood to mean that the warriors went into battle bare-chested, or "without armor" as men of Odin. This view has since been largely abandoned.
To "go berserk" was to “hamask,” which translates as “change form," in this case, as with the sense "enter a state of wild fury." One who could transform as a berserker was typically thought of as “hamrammr” or “shapestrong". For example, the band of men that go with Skallagrim in Egil’s Saga to see King Harald about his brother Thorolf’s murder are described as "the hardest of men, with a touch of the uncanny about a number of them...they [were] built and shaped more like trolls than human beings." This is generally interpreted as the band of men being "hamrammr."
Battle of the Storm Hj?rungav?g
Illustration for Olav Tryggvasons saga
Berserkers appear prominently in a multitude of other
and , many of which describe berserkers as ravenous men who , plunder, and kill indiscriminately. Later, by Christian interpreters, the berserk was even viewed as a "heathen devil."
The earliest surviving reference to the term "berserker" is in , a
composed by
in the late 9th century in honor of King , as ulfhe?nar ("men clad in wolf skins"). This translation from the Haraldskvae?i saga describes Harald's berserkers:
I'll ask of the berserks, you tasters of blood,
Those intrepid heroes, how are they treated,
Those who wade out into battle?
Wolf-skinned they are called. In battle
They bear bloody shields.
Red with blood are their spears when they come to fight.
They form a closed group.
The prince in his wisdom puts trust in such men
Who hack through enemy shields.
The Icelandic historian and poet
() wrote the following description of berserkers in his :
His () men rushed forwards without armour, were as mad as dogs or wolves, bit their shields, and were strong as bears or wild oxen, and killed people at a blow, but neither fire nor iron told upon them. This was called Berserkergang.
King Harald Fairhair's use of berserkers as "" broadened his sphere of influence. Other
kings used berserkers as part of their
and sometimes ranked them as equivalent to a royal . It may be that some of those warriors only adopted the organization or
of berserk , or used the name as a deterrent or claim of their ferocity.
Emphasis has been placed on the frenzied nature of the berserkers, hence the modern sense of the word "berserk." However, the sources describe several other characteristics that have been ignored or neglected by modern commentators. Snorri's assertion that "neither fire nor iron told upon them" is reiterated time after time. The sources frequently state that neither edged weapons nor fire affected the berserks, although they were not immune to clubs or other blunt instruments. For example:
These men asked Halfdan to attack Hardbeen and his
and he not only promised to fight, but assured himself the victory with most confident words. When Hardbeen heard this, a demoniacal fren he furiously bit and devoured the he kept gulp he snatched live embers in his mouth and let them pass do he rushed through the peril and at last, when he had raved through every sort of madness, he turned his sword with raging hand against the hearts of six of his champions. It is doubtful whether this madness came from thirst for battle or natural ferocity. Then with the remaining band of his champions he attacked Halfdan, who crushed him with a hammer of wondrous size, so that he lost b paying the penalty both to Halfdan, whom he had challenged, and to the kings whose offspring he had violently ravished...
Similarly, 's champions refuse to retreat "from fire or iron." Another frequent motif refers to berserkers blunting their enemy's blades with spells or a glance from their evil eyes. This appears as early as
where it is a characteristic attributed to . Both the
and the immunity to edged weapons are reminiscent of tricks popularly ascribed to .
outlawed berserkers. , the
, sentenced berserker warriors to . By the 12th century, organised berserker war-bands had disappeared.
The , found on the
(, ) but thought to be of Norse manufacture, include berserkers depicted biting their shields.
draws a parallel between berserkers and the mention by the
(AD 905–959) in his book
("Book of Ceremonies of the Byzantine court") of a " Dance" performed by members of his
(Norse warriors working in the service of the ), who took part wearing animal skins and masks: she believes this may have been connected with berserker rites.
The actual fit of madness the berserker experienced was referred to as berserkergang ("going berserk"). This condition has been described as follows:
This fury, which was called berserkergang, occurred not only in the heat of battle, but also during laborious work. Men who were thus seized performed things which otherwise seemed impossible for human power. This condition is said to have begun with shivering, chattering of the teeth, and chill in the body, and then the face swelled and changed its colour. With this was connected a great hot-headedness, which at last gave over into a great rage, under which they howled as wild animals, bit the edge of their shields, and cut down everything they met without discriminating between friend or foe. When this condition ceased, a great dulling of the mind and feebleness followed, which could last for one or several days.
Theories about what caused berserker behaviour include ingestion of materials with
properties,
processes, and .
Some scholars believe certain examples of berserker rage to have been induced voluntarily by the consumption of
such as the
or massive amounts of . While such practices would fit in with
usages, other explanations for the berserker's madness have been put forward, including self-induced , , , or .
makes an explicit connection between the berserker rage of soldiers and the
of . In Achilles in Vietnam, he writes:
If a soldier survives the berserk state, it imparts emotional deadness and vulnerability to explosive rage to his psychology and permanent hyperarousal to his physiology — hallmarks of post-traumatic stress disorder in combat veterans. My clinical experience with Vietnam combat veterans prompts me to place the berserk state at the heart of their most severe psychological and psychophysiological injuries.
It has been suggested they consumed
before battle, particularly the mushroom .
The word "berserker" today applies to anyone who fights with reckless abandon and disregard to even his own life, a concept used during the
and in Vietnam-inspired
and 's ). "Going berserk" in this context refers to a state induced by
(or military-issued
for long missions) in the human body and brain leading a
to fight with fearless rage and indifference, a state strikingly similar to that of the 9th century berserkers.
"Going berserk" is also used
to describe a person who is acting in a wild rage or in an uncontrolled and irrational manner. "Berserker" is also a well known character archetype and status in video games and other media.
In the movie Viking: The Berserkers (2014).
In author 's book series, , Declan Chase is a reincarnated berserker.
Berserkers as depicted in the
epic are incorporated as mysterious and fearsome enemies in 's
novel (1976), and in its film adaptation
In the RPG game , the character
goes into a berserk rage either deliberately, as a special power (to increase speed and strength) or when seriously wounded, during which time he will attack members of his own party. When the berserk state ends, his own health is damaged and he is exhausted, requiring rest for his full strength to return. There is also a "cursed" sword which sends the wielder into a berserk state in the presence of enemies.
In the popular RPG series , Berserker is a recurring Job class. Berserkers don an outfit resembling an animal, typically, a wolf.
In the Graphic Novel/Manga Epic
by , the main character Guts goes into a berserker rage as his armor takes the anthropomorphic shap effectively controlling him through his rage and granting him superhuman strength, agility, endurance and eliminating all fear of pain or death, thus making him nigh invincible and unstoppable in battle.
In 1981, Australian band Mental As Anything released the single 'Berserk Warriors' written by their bass player Peter O'Doherty. The song interweaves Viking berserker imagery with the relationship between Abba's Bjorn and Anna.
Berserkers are also featured in 's
and its expansion The Conquerors as a Viking unique unit.
Berserkers feature as one of Denmark's unique units, replacing the Longswordsman, in a piece of DLC for '
that added Denmark as a playable civilization.
Berserkers feature fairly prominently in
as a Germanic unit that has high attack and is impossible to control once berserk.
Berserker is a Servant class summoned for The Holy Grail War in 's Fate/ series. The heroic spirit is summoned without their sanity or consciousness in exchange for a huge increase in power.
manga, the character Bjorn occasionally eats a "mushroom of the Berserker" and goes into a temporary violent trance, seeming to not initially feel severe injury, and is unable or unwilling to tell friend from foe.
In the video game
one of the playable characters is the berserker, featuring high damage and low armor.
In the online strategic game Forge of Empires, the berserker is used as a soldier in the High Middle Ages epoch.
In the video game series , it is a specialisation available to the player if playing a warrior character, and also available to companions of the warrior class in the first game. It was created by dwarves and taught to the other races when some dwarves left their homeland. It specialises in channeling the rage of the warrior to deliver deadlier attacks.
game , the berserker class is an axe-wielding fighter.
In the TV series , the berserkers are revealed as elite soldiers from
who, along with the rest of the Asgardians who visited Earth, faded into Norse "myth". The source of their berserk state is a battle staff. One berserker, however, remained behind because he loved Earth. He broke his staff into three pieces and then hid the pieces at different locations across Europe in an attempt to prevent human exposure to the "dark power" of the staff.
In an episode of the TV series , "", the berserkers are revealed as a race of alien warriors who visited the Earth in the distant past and encountered the Vikings, who mistakenly believed them to be ordinary humans in animal skins.
In the book and TV series "How To Train Your Dragon", they are featured as the biggest tribe in the archipelago.
In the fourth season of TV series , there are soldiers called berserkers which are controlled by Kate Argent. These berserkers wear animal pelts and bones and are very strong.
The popular Marvel comics antihero Wolverine is known to lapse into uncontrollable rages, an aspect of his personality known as, "The Berserker."
In the second and third seasons of the TV series , there is a unit of the resistance called berserkers.
In the video game series , an armoured knight known as Berserker appears in
and , though the character is non-playable in the latter.
In the eighth Artemis Fowl book, The Last Guardian, Opal Koboi, the main antagonist of the series, releases berserker souls to possess nearby animals in an attempt to take over the world.
series, Berserkers are robotic self-replicating machines intend to destroy all life.
In Neon Genesis Evangelion (新世紀エヴァンゲリオン Shin Seiki Evangerion) Japanese media franchise, Berserk (暴走, bousou) is a state an Evangelion can enter in which it has gone beyond humanity's ability to control. Berserk Evangelions are characterized by a savage, animalistic battle frenzy in which their strength and capabilities drastically increase.
there's a hero called berzerker, who chases down targets and kills them one by one.
, a Germanic tribe
Davidson, Hilda R.E. (1978). Shape Changing in Old Norse Sagas. Cambridge: B Totowa: Rowman and Littlefield. p. 132.
Grundy, Stephan (1998). Shapeshifting and Berserkgang. Evanston: IL: Northwestern University Press. p. 18.
Simek (1995:48).
Blaney, Benjamin (1972). The Berserker: His Origin and Development in Old Norse Literature. Ph.D. Diss. University of Colorado. p. 20.
Simek (1995:47).
Davidson, Hilda R.E. (1978). Shape-Changing in Old Norse Sagas. Cambridge: B Totowa: Rowman and Littlefield. p. 126.
Snorri, Sturluson (1976). Egil's Saga. Harmondsworth: Penguin. p. 66.
Blaney, Benjamin (1972). The Berserkr: His Origin and Development in Old Norse Literature. Ph.D. Diss. University of Colorado. p. III.
Page, R. I. (1995). Chronicles of the Vikings. Toronto, Canada: University of Toronto Press. p. 109.  .
(1889). The Heimskringla or the Sagas of the Norse Kings. London: John. C. Nimo. p. 276
(1905) The Nine Books of the Danish History of Saxo Grammaticus. New York: Norroena Society. See
for full text.
(1967) Pagan Scandinavia, page 100. Frederick A. Praeger Publishers ASIN B0000CNQ6I
Fabing, Howard D. (1956). "On Going Berserk: A Neurochemical Inquiry". Scientific Monthly 83 (5): 232–237. :. :.
Wernick, Robert (1979) The Vikings. Alexandria VA: . p. 285
Foote, Peter G. and Wilson, David M. (1970) The Viking Achievement. : Sidgewick & Jackson. p. 285.
Shay, J. (2000). "Killing rage: physis or nomos—or both" pp. 31–56 in War and Violence in Ancient Greece. Duckworth and the Classical Press of Wales.
(1994). Achilles in Vietnam. New York: Scribner. p. 98.  .
Hoffer, A. (1967). The Hallucinogens. Academic Press. p. 443-454.  .
Howard, Fabing (Nov 1956). ""On Going Berserk: A Neurochemical Inquiry"". Scientific Monthly 113 (5): 232.
(1995). Lexikon der germanischen Mythologie. Stuttgart: Alfred Kr?ner.  .
Wikimedia Commons has media related to .
 Chisholm, Hugh, ed. (1911). "".
(11th ed.). Cambridge University Press.
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