求一篇全英文的名著读书报告拜托各位了 3Q简爱 双城记 .老人与海 雾都孤儿 要除了这个4篇以外的谢谢~
"Home" Du Hougan
Very little time to read the old man to write the torrent of Ba Jin's trilogy of "home." Xianlaiwushi hand when they grow up will be spent pouring over the back of this book.
"Home" to the art of skilful way, shape many of the typical image of the rich. Each image is written in flesh and blood fullness, distinctive personality, lifelike.
Characters in novels and seven dozen, including both high-handedness, the aging high-Lao Taiye, Huang Yin cruel Jiadao Xue Feng Leshan, corruption and degeneration of the five grams of the classic, has died Gan Yuxiang to protest against the feudal autocracy Ganglieyatou Ming Fung , The tame Xunliang Meifen, good Houdao long Sunxi Ruiyu, etc., and the trendy thinking, yearning for freedom and equality of Juehui, Jue-min, Qin and other youth consciousness and the traitor's image. In fact, the "home" is a book written in Chinese society intense period of great changes in the journey taken by the younger generation. McGREGOR new, the people feel, Juehui three brothers on behalf of three different character, their origin in Sishitongtang, Hei Dongdong the official residence of the family. Because of the different character by taking the road of life it is entirely different.
Ba Jin Jue Hui should be described by the old man with a representative of a new youth Typical Characters. Ba Jin was in his 10th version of this sequence in this wrote: "The old ethics of a traitor, a naive but ambitious traitor. I should pin their hopes in his possession, he should come to us with some fresh air, That we are inside the old family Mende to a suffocating. "Juehui precisely such a figure, he has new ideas, see the shortcomings of the society, he is opposed to the old ethics. At the same time, he also very naive. However, he dares to resist, and eventually out of the feudal ethics that the shackles of the family, rode non-stop east of the green water into his longing for a new life.
The book is also available in a special significant atmosphere: everywhere which radiates with the colors of youth. This simple, natural environment is the author I wrote: "eternal life in the wilderness of youth", "I always remember: youth is a beautiful thing. And it has been a source of encouragement to me."
Ba Jin old man described by the "home" is a microcosm of society at that time. And "home" to those children who are representative of the community in all sorts of figures. For example: Gao in the high-handedness, aging, the supreme ruler of the decadent high-Lao Taiye. He is the representative of the government agencies in the corruption, greed officials. Those officials Zhangzhuo own official, who dominated at will, in effect, people have hate for him, he also has an invisible threat. As there are greedy cunning of the four classic Kean corrupt, they use their small smart, impunity from government hands, "Extra money," bribery is not missing everything. Society has become corrupt and degenerate like the old Bai Jiazi five grams for the youth, indulging in their day-long network of the virtual world, because they can not afford the pressure on all sectors of society since the fall Gan. Despite so many "dark clouds", but it can not always block the "Sun" brilliance.
In short, the "home" from the ideological content of this work, the destruction of the youth, the life of the feudal ethics and the feudal autocratic system of angry complaints, the feudal ethics of those suffering under the weight, was the last victim of the struggle People placed the infinite sympathy to those for freedom of life and struggle of people had strong praise.
This community is always in progress, and not because of what is not the fetters of progress and stop, had nothing can stop the trend of the times. In traversed on the way, it spreads by the spray, which will form a Pentium Unit of the rest of the rapids, a row-a trend towards the only currents to
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2016考研英语作文范文推荐：读书报告
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2016考研秋季强化复习开始，对于部分，建议同学们每天集中时间看一点，写作得分就会高一点，具体方案：着重熟悉短文写作考查的核心方向，通过典型范文熟练掌握核心方向论证的通用素材。整理推荐，供大家参考! 2016作文范文推荐：读书报告 Red Sorghum Clan 红高粱家族 Guan Moye, better known by the pen name Mo Yan,is a Chinese writer and
novelist. 管谟业，其笔名&莫言&更广为人知，是一位中国作家和小说家。 In 2012, the Nobel Prize in Literature was awarded toMo Yan &who with
hallucinatory realism merges folktales, history and the contemporary&. 2012年，莫言荣获诺贝尔文学奖，作为一位&用虚幻现实主义将民间故事、历史和现代融为一体&的作家 Mo Yan's Red Sorghum Clan is a non-chronological novel about the
generations of a shandongfaly between 1923 and 1976. 莫言的《红高粱家族》是一部关于一个山东家族几代人在1923年至1976年间的变迁的不按时间顺序叙述的小说。 The author deals with upheavals in Chinese history,but in an unconventional
way,for examplefrom the point of view of the invading Japanese soldiers. 作者以一种非传统的方式描述了中国历史的巨变，例如从侵略中国的日本兵的视角来讲述故事。 A major theme in Mo Yan's works is the constancy of human greed and
corruption. 莫言作品的一个重要主题就是人类永恒不变的贪婪和腐败。 Aged 57 at the time of the announcement,he was the 109th recipient of the
award and thefirst ever resident of mainland China to receive it. 在57岁时,莫言成为诺贝尔文学奖第109位获奖者以及史上第一位获奖的中国大陆作家。
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考研公开课求儿子与情人英文读书报告？
求儿子与情人英文读书报告？
09-02-27 &
著作简介和内容简介, 请酌情选取: 歌剧魅影 The Phantom of the Opera (Le Fant?me de l’Opéra in French) is a French novel by Gaston Leroux. It was first published as a serialization in Le Gaulois from September 23, 1909 to January 8, 1910. It is believed to have been inspired by George du Maurier's Trilby. It was translated into English in 1911. It has since been adapted many times into film and stage productions, the most notable of which was Andrew Lloyd Webber's 1986 musical, which is now the longest running Broadway show in history, and the most lucrative entertainment enterprise of all time, its worldwide box office over the past 20 years out-grossing even the highest grossing film in history, Titanic. Leroux's original 1910 novel is set in 19th century Paris at the Opera Garnier (The Paris Opera or The National Academy of Music), which was built between 1857 and 1874 over a huge underground lake. The employees claim that the opera house is haunted by a mysterious ghost who wreaks chaos and destruction when displeased. Erik, posing as the &Phantom of the Opera& (Opera Ghost in the Mattos and Bair translation), sends the managers of the Opera Garnier repeated threats of catastrophe should they not pay him a monthly stipend of 20,000 francs and perpetually reserve Box no.5 for him at every show. This arrangement, unbroken during the many years of the manager's tenure, is abruptly terminated when two new proprietors, Armand Moncharmin and Firmin Richard, take over the opera house and refuse to give in to what they view as the empty threats, originally thinking it a practical joke by former managers, and eventually growing suspicious of each other. Meanwhile, Erik has taken on a new protégée, Christine Daaé. He tells her that he is the &Angel of Music&, a heavenly spirit sent by her dead father to help her, and proceeds to give her regular voice lessons through the wall. Under the tutelage of her new teacher, Christine makes rapid progress in her musical studies and achieves new prominence on stage when she is selected to replace the current prima donna Carlotta, whose act is sabotaged by the Phantom. Christine shines in her featured debut and immediately wins the hearts of the audience, including that of her childhood boyfriend, Raoul, the Vicomte de Chagny. Erik becomes envious of Christine's relationship with Raoul and takes her to his Gothic world beneath the opera house. Christine quickly finds that there is nothing angelic about Erik, and learns to her disappointment that he is just a man, and that he and the ghost are one and the same (and comes to know him as malicious, volatile, dangerous and somewhat bitter, yet also brilliant and pitiful). She is infuriated at having been deceived, and demands to be set free. Erik promises to release her after five days. After some awkward moments (dining by herself while he watches, being shown his room which looks like a death chamber, his bed a coffin...) Erik and Christine eventually begin a duet from Otello, and in a fit a of passion Christine rips off his mask, driven by curiosity to see the face of the man who loves her, and why he wears a mask. &If I live to be one hundred, I should always hear that superhuman cry of grief and rage which he uttered before that terrible sight reached my eyes,& Christine later tells Raoul. The Phantom is furious and threatens to keep her in his lair forever, but later changes his mind. Christine is released, but only after promising to return by her own will and swearing never to give her love to anyone else. Christine does return, but only out of pity for Erik. But Erik isn't the only one who is envious. After Christine's debut performance, Raoul overhears Christine succumbing to a tyrannical, disembodied voice in her dressing room (Erik). He becomes suspicious that another man is taking advantage of her innocent belief in an &Angel of Music& in order to seduce her. He starts spying on her in an attempt to find the mysterious seducer. Christine suddenly becomes aware of this and is very angry, but after Erik reveals himself, and with Raoul's persistence and threat not to leave on his naval expedition unless she tells him the truth (while promising to help her escape it), she decides to tell Raoul, on the roof of the Opera Garnier, everything that has happened between her and Erik. The two of them plan to run away from Paris and the &horror of Erik&. Erik overhears everything on the roof, and abducts Christine from the stage during her final performance at the Opera Garnier as Margarita in Gounod's Faust, at the point where Christine, as Margarita, is appealing to the angels. Raoul follows them down into the depths of the cavern beneath the opera house, and is guided to Erik's house by a character known as the Persian. Unfortunately for both of them, the route they take to Erik's house leads instead to a torture chamber (a catoptric cistula), where they helplessly listen to Erik raging at Christine, who lied to him and betrayed him. He threatens that should Christine not marry him, he will destroy the Opera House with explosives, in turn, &many members of the human race& would be destroyed. Christine, already on the brink of suicide, sadly accepts his proposal at 11pm the next night, Erik's &deadline.& Eventually, Christine shows Erik genuine sympathy and displays an act of love by crying with him, not running away when he takes off his mask, and even going so far as to kiss him on the forehead. This granted Erik a happiness he never thought possible. In despair, Erik releases Raoul and Christine and gives them his blessings to marry. He asks only that Christine come back after his death, and bury him with the ring he gave her, which is indeed not long afterwards. Right before his death, Erik delivers a monologue expressing his grief, in which he describes how Christine was the only woman to let him kiss her, his brief euphoria when she kissed him, his despair at having the love of his life betrothed to another, and his gratitude to the Persian, who once saved his life. This is the only part of the novel written in Erik's perspective. Choking and sobbing, he dedicates his death to his beloved Christine. &He had a heart that could have held the empire of the world, and in the end, he had to content himself with a cellar,& writes Leroux in the epilogue of his book. 儿子与情人 Sons and Lovers is the third published novel of D.H. Lawrence, taken by many to be his earliest masterpiece. It tells the story of Paul Morel, a young man and a budding artist. This autobiographical novel is a brilliant evocation of life in a working class mining community. The original 1913 edition was heavily edited by Edward Garnett who removed eighty passages, roughly a tenth of the text. Despite this the novel is dedicated to Garnett. It was not until the 1992 Cambridge University Press edition that the missing text was restored. Lawrence rewrote the work four times until he was happy with it. Although before publication the work was usually called Paul Morel, Lawrence finally settled on Sons and Lovers. Just as this changed title makes the work less focused on a central character, many of the latter additions broadened the scope of the work thereby making the work less autobiographical. While some of the edits by Garnett were on the grounds of propriety or style, others would once more narrow the emphasis back upon Paul. In 1999, the Modern Library ranked Sons and Lovers ninth on a list of the 100 best novels in English of the 20th century. Part I: The refined daughter of a &good old burgher family,& Gertrude Coppard meets a rough-hewn miner at a Christmas dance and falls into a whirlwind romance. But soon after her marriage to Walter Morel, she realizes the difficulties of living off his meager salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons, beginning with the oldest, William. As a boy, William is so attached to his mother that he doesn't enjoy the fair without her. As he grows older, he defends her against his father's occasional violence. Eventually, he leaves home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl's superficiality. He dies, and Mrs. Morel is heartbroken, but when Paul catches pneumonia, she rediscovers her love for her second son. Part II: Both repulsed by and drawn to his mother, Paul is afraid to leave her but wants to go out on his own, and needs to experience love. Gradually, he falls into a relationship with Miriam, a farm girl who attends his church. The two take long walks and have intellectual conversations about books, but Paul resists, in part because his mother looks down on her. At work, Paul meets Clara Dawes, who has separated from her husband, Baxter. Paul leaves Miriam behind as he grows more intimate with Clara, but even she cannot hold him, and he returns to his mother. When his mother dies soon after, he is alone. Lawrence summarised the plot in a letter to Edward Garnett on 12 November 1912: It follows this idea: a woman of character and refinement goes into the lower class, and has no satisfaction in her own life. She has had a passion for her husband, so her children are born of passion, and have heaps of vitality. But as her sons grow up she selects them as lovers — first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother — urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives, and holds them. It's rather like Goethe and his mother and Frau von Stein and Christiana — As soon as the young men come into contact with women, there's a split. William gives his sex to a fribble, and his mother holds his soul. But the split kills him, because he doesn't know where he is. The next son gets a woman who fights for his soul — fights his mother. The son loves his mother — all the sons hate and are jealous of the father. The battle goes on between the mother and the girl, with the son as object. The mother gradually proves stronger, because of the ties of blood. The son decides to leave his soul in his mother's hands, and, like his elder brother go for passion. He gets passion. Then the split begins to tell again. But, almost unconsciously, the mother realises what is the matter, and begins to die. The son casts off his mistress, attends to his mother dying. He is left in the end naked of everything, with the drift towards death. This is the most autobiographical of all Lawrence's works as the author himself had a similar relationship with his own mother. The use of this oedipal theme is one of a number of Freudian concepts he used throughout his books. Like many of his works, Sons and Lovers was criticized when first published for obscenity and one publisher called it &the dirtiest book he had ever read& but compared to his later works it is quite constrained.
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构建和谐校园 大学是人生求学路上新的起点，也是培养个人修养的最好契机。沉浸在和谐的校园中你就会发现：原来和谐是一种熏陶，一种感觉，一种氛围。 我们讲和谐，那么究竟什么是和谐呢？它是传统文化的精髓，也是事物存在的最佳状态。歌曲中唱道：家合万事兴。可见，中国人民对和谐的殷切期待。既然如此那么调动一切积极因素构建和谐校园也是众望所归了。 和谐发展的理念只有在适当的外部条件下才能渲染出氛围，寻找创建和谐校园的途径就要从其组成说起，和谐包括人与自然的和谐、人与人的和谐，探询和谐就要从自然和人两方面说了。 自然的因素即自然环境，创建优美的自然环境是不可或缺的一环。如果我们学校里的所见、所闻、所感无不是俯拾不完的美丽，清新的空气中荡漾着和谐温馨的气息，那么心情会像阳光般灿烂，思想像雄鹰般翱翔，同时迸发出青春激昂的火花！唐人有诗云：“山光悦鸟性，潭影空人心。”回首历代书院大多依山傍水，放眼现在，各高校也以环境优美为亮点，想必为了“借山光以悦人性，假湖水以静心情。”茵茵绿草，莺莺鸟语让我们陶醉，亭榭交错，山水相映让我们痴迷。沉浸在这样的环境里，自然会潜移默化的受到美的熏陶，放飞美的心灵。 接下来我们来谈谈人的因素，人是万物之灵长，是世界的主导。和谐的人文环境，良好的人际关系与意蕴丰赡的校园文化都属于人文的范畴，是和谐校园的灵魂所在，因为一定程度上精神财富远比物质财富来的重要。 首先探讨人文环境，教师们博古通今、旁征博引、儒雅的气质和风度时刻吸引我们以其为榜样，提高自己的修养与内涵。人文环境是集体智慧与汗水的结晶。校园里充盈着优雅和谐的氛围，徜徉其间，熏陶渐染，人的心灵也会美化，潜意识里的自尊自爱被唤醒，达到和谐,岂不易哉？ 其次，只有良好的人际关系才能体现校园的和谐。大学里学生之间的接触比较频繁，用心营造一种充满真情与关爱的氛围会使校园融洽起来。在温暖的关怀与真切的感动里生活，心灵与心灵之间碰撞出心之相映的清脆，难道不是很美的事吗？ 最后，一个和谐的校园，还应有意蕴丰赡的校园文化，这是极其重要的一点。丰富多彩的校园文化，是一个自由的空间，让学生的个性得以像春天的枝叶一样无拘无束的伸展，浓厚的学习氛围，让我们如鱼得水，畅游知识的海洋，多种多样的社团活动让我们学会办事学会做人。如果没有校园文化，学生的精神世界无疑是一片荒漠，而和谐校园文化是一种巨大无声力量，是最优秀的隐性课程。它是难得的甘露，从最微妙最深刻的方式进入灵魂深处，滋润干涸的心灵。 和谐是一幅精美的画卷，令人惊艳，令人回味，和谐是超凡脱俗的世外高人，深藏不露，飘逸于浮云之上。它会给空虚的心灵带来希望，给懵懂的双眼带来清明，给弯曲的脊梁带来挺拔，给卑微的灵魂带来自信。让我们携起手来，用心情的音符去谱写和谐校园的欢快乐章！
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