电影英文怎么说_百度作业帮
电影英文怎么说
电影英文怎么说
moviefilmmotion picture短语电影明星movie star；film star；film star movie star；flm star, move star电影院cinema；[电影]
movie theatre；[电影]
movie theater；[电影]
movie theater电影魔方MPEG Video Wizard；Womble MPEG Video Wizard；MPEG Video Wizad；Movie Cube电影公司Film Company；Sony Pictures；Mayer；Film Service Firm电影学Film；Film Studies；MA in Film Studies；Filmwissenschaft黑色电影The Film Noir；Noir Film；FLIM NOIR；Films Noir电影演员actors；Film Actors, Screen Actresses；Filmschauspieler；actors and actresses电影拍摄filmshooting；Filming电影业cinema；the film industry；cinema industry；silver spoon例句中比较用法：电影: filmmotion picturemovie我可以带着孩子们去看场电影吗?Can I take the kids to a movie?昨天我跟玛丽一起去电影院了.I went to cinema yesterday with Mary.我认为这电影有一些消极影响.I think the film has some negative effect.她是谁?某个新的电影明星?Who is she? Some new movie star?我没有.但是我女儿非常喜欢这电影.Not me. But my daughter likes it very much.这个电影是怎么结尾的?.How does the film end up?是什么推动电影的繁荣?What is driving the cinema boom?不过中国电影里缺少的最重要的元素是浪漫!But the most important thing missing in Chinese movies is romance!一个极好的方法就是看一部电影--最好是喜剧!One great way is to watch a movie – preferably something funny!那位演员由于他在电影中扮演的角色而获学院奖.The actor won an Academy Award for his role in the film.电影艺术是当今最激动人心最有发展的艺术形式.The cinema is the most exciting and developing art form at present.制片厂也计划在接下来的几个月里发行新3D电影.And studios are planning to release new 3D movies in the coming month.这可能是人们更多的从因特网上获得电影的一个征兆.This maybe a sign that people are increasingly getting their movies off the Internet.这部电影有许多的想像,使不可能的事发生在你眼前.Ones with a lot of imagination where the impossible happens before your eyes.电影工业不仅影响着美国的文化,还影响着我国的经济.And this industry not only impacts American culture, but it impacts our economy.录像机使我们的家里而不是在电影院里看电影成为可能.VCRs make it possible for us to watch films at home instead of the cinema.他决定住在美国的电影制作中心——加利福尼亚的好莱坞.He decided to live in the center of American movie making: Hollywood, California.好啊.沿着那条路走,图书馆就在左边,挨着电影院的地方.Yes. Walk that way. The library is on the left, next to the cinema.他也是一位人造心脏,心脏移植和记录外科手术的电影的先驱.He was also a pioneer in artificial hearts, heart transplants and recording surgeries on film.这是一个不同的问题,因为在现实生活中我们没有回放电影的选择.This is a different question because running the film backwards is not an option in real life.国外市场也会影响到人们如何获得电影,不同国家有不同的技术水平.Foreign markets may also influence how people get their movies, different nations have different levels of technology.这部电影展现了教师面临的挑战,但它以微妙和讽刺的幽默表达这一主题.The film shows the challenges that confront teachers, but it does so with a subtle and wry humor.无论是对于制作电影的人还是电影观众来说,这都是一个激动人心的夜晚.It is a night of excitement for people who make movies and for people who watch them.好莱屋也面临着非法盗版电影的竞争,一个主要问题是美国的动作片协会.Hollywood also faces competition from illegally copied movies, a major issue to the Motion Picture Association of America.而且,他——或者他的克隆体——现在是全年无休地同时在不止一部电影里出现.And he -- or one of his clones -- works all year round on more than one film at once.“水晶骷髅”是印第安纳琼斯电影的第四部（第一部拍摄于19年前）,也被证实是这一系列中最好的一部."Crystal Skull, " the fourth Indiana Jones film and the first in 19 years, proves to be one of the better ones of the series.一块总汇三明治、一条裤子、一张电影票……在典型的市场交易中,我挑选自己喜欢的东西,然后付钱购买.A club sandwich, a pair of trousers, a ticket to the movies – in a typical market transaction, I choose and pay for my own desires.会唱歌的花栗鼠?如果他们可以像电影《艾尔文和花栗鼠》里的花栗鼠一样很会唱歌,我想我会是他们的大粉丝的.Singing chipmunks? If they can really sing as well as the chipmunks in the movie Alvin and Chipmunks, I believe I would be a big fans of them.美国电影艺术与科学学院”（即“奥斯卡学院”）与“校园音乐电视”（即校园音乐网）合作给初露头角的记者们提供一个机会来报导奥斯卡.The Academy of Motion Picture Arts and Sciences, which presents the Oscars, teamed up with mtvU, the college music network, to give budding journalists a chance to report from the Oscars.当在电影中英雄首次出现的时候,我们会看到（这样的场面）,而且英雄总是会做一些令我们喜欢他的精彩之举,像救下一只猫,这使我们想和他一起经历冒险之旅.You see it when we meet the hero of the movie for the first time, and the hero does something nice, like save a cat, that makes us like him and want to go on the journey with him.by Matt Singer
Our Exposition columns offer informed, compelling takes on issues around the movies, from opinions about the topics driving films today to reconsiderations of the movies of yesteryear.
By all accounts, this was a bad summer at the movies. Actually, &bad& isn& by all accounts this was one of the worst summers at the movies in history. It was &.& It was a &.& It was a &.& It was bad, bad,&bad. But just how bad&is bad, bad,&bad? Was this really a historically terrible summer movie season&or were we just excessively cranky this year? My first instinct when trying to answer that question was to get the Rotten Tomatoes ratings of every movie released between the beginning of May and the end of August and compare those year to year. But that seemed like casting too wide a net. After all, lots of good&little&movies got released this summer, including&Short Term 12, The Bling Ring, The Act Of Killing, Drug War, Frances Ha,&and&Computer Chess&to name just a few of my favorites. When we say &bad summer movies& we specifically mean bad&big&summer movies, the stuff with massive budgets and special effects, and broad&mainstream appeal. If the American&&taught us anything &and clearly it taught us&a lot&it&s that size&does&matter. So I started cross-referencing Rotten Tomatoes reviews and Box Office Mojo results. Eventually I settled on a method: I took the top 30 grossing&movies of each of the last 10 summers, compiled their Rotten Tomatoes scores, then averaged each year&s scores.&I ended up choosing 30 as my sample size&because that seemed to give me the best range of movies, from the big&blockbusters down to indie hits and major flops, while excluding the more marginal titles. These were the movies people saw each year, and then, in some cases, told their friends to avoid.& My moderately scientific method yielded extremely&surprising results: Average Rotten Tomatoes Score&of the 30 Highest Grossing Summer Movies,
2004:&49.06% 2009:&51.23%
2005:&53.56% 2010:&46.06%
2006:&48.93% 2011:&58.13%
2007:&55.96% 2012:&58.56%
2008:&52.96% 2013:&54.43%
Not only was 2013 not the worst summer movie season in recent memory, it was actually on fourth best in&my admittedly imperfect measuring system. At least by my calculations, the worst recent movie summer was 2010, where a couple of winners like&Toy Story 3&and&Inception&were buried beneath a pile of&The Last Airbenders,&Sex And The City 2s,&and&Marmadukes.& So 2013 wasn&t a record-breakingly bad summer, but it sure&felt&like&it was. But why? Searching for reasons, here are the four potential explanations&I came up with:
It may not be that 2013 was so bad, but that 2011&and 2012&were, relatively speaking, so good. According to&my&numbers, the summer movies&of 2012 and 2011 were the best reviewed of&the last ten years. 2011 had eight films with an 80% or higher Rotten Tomatoes rating&(including&Harry Potter And The Deathly Hallows&Part 2,&Bridesmaids,&X-Men: First Class, and&Rise Of The Planet of the Apes), the most in a&decade.&2012 didn&t feature a single movie with a Rotten Tomatoes below 20% (2013, by comparison, had four:&After Earth, The Smurfs 2, The Hangover Part III, and&Grown Ups 2). Two years full of creative hits and relatively free of significant flops, made 2013 feel&like even more of a&letdown.
The best reviewed movie of summer 2013 on Rotten Tomatoes was&Star Trek Into Darkness&(87%), but even that film&was polarizing. Not a single title&this summer cracked the 90% threshold on Rotten Tomatoes, meaning there really wasn&t one massive critical consensus for four straight months.&In years past, movies like&The Dark Knight&(94%),&Spider-Man 2&(94%), and&The Bourne Ultimatum&(94%) have all generated near-unanimous reviews. Every summer, there&s always one or two&movies that just about everyone likes. This year, we never got that one thing you&had&to see. The result: 2013 seemed even weaker in comparison.
Speaking of&Star Trek Into Darkness, even some of that movie&s defenders&hell, even&& felt it slipped too quickly into &destruction porn.&&And it was just one of several exceedingly violent and surprisingly dark summer movies, from&Man Of Steel&to&World War Z&to&The Lone Ranger. Summer is supposedly the time of year for &dumb fun& at the multiplex, but this year&s crop of summer movies, stupid as they certainly were, were often more enervating than exciting. On the one hand, we might&applaud creators for actually thinking about the world around them and trying to reflect the reality they see onscreen. On the other hand, most of those creators&misjudged their audience and their films, and they often did less commenting on these themes&than simply exploiting them for cheap,&depressing shock value.
A common complaint I&ve heard recently is a sense of exhaustion with superhero movies and a frustration over the&lack of variety at the multiplex. No one expects amazing amounts of cinematic originality between May and August, but this year&s batch of films did&seem even more tired and repetitive than normal. In 2009 the top five summer movies were&Transformers: Revenge Of The Fallen,&Harry Potter And The Half-Blood Prince,&Up, The Hangover, and&Star Trek. This year, the top 5 were&Iron Man 3,&Despicable Me 2,&Man Of Steel, Monsters University,&and&Fast & Furious 6.&That&s a sequel, a reboot, an installment in a finite series, and two original films versus four sequels and one reboot. It makes a difference, one that&s easy to see when the rare bits of counterprogramming against the sequels and superheroes appear, like&The Conjuring&and&We&re The Millers&appear, and they make boatloads of cash. People are hungry for different stuff, and this summer Hollywood kept&feeding them the same movie over and over. You add up all those factors and you get a very disappointing, very dreary, very repetitive summer. It might not have been&the worst ever, but it was definitely bad enough to get you counting down the days until&fall. The weather won&t be as nice, but the movies should be much better. & This feature was originally published as a &on August 29.英语学霸进下 好的立马采纳改为感叹句this is a hard problemwhat a-———————they are beautiful leaveswhat————————these mountains are highhow————————it was an exciting moviewhat—————_百度作业帮
英语学霸进下 好的立马采纳改为感叹句this is a hard problemwhat a-———————they are beautiful leaveswhat————————these mountains are highhow————————it was an exciting moviewhat—————
英语学霸进下 好的立马采纳改为感叹句this is a hard problemwhat a-———————they are beautiful leaveswhat————————these mountains are highhow————————it was an exciting moviewhat————————cindy hopes to go to the moon one day how—————————
What a hard problem it this!What beautiful leaves they are!How high these mountains are!What an exciting movie it was!How strongly does Cindy hope to go to the moon one day!(这个应该没法变成感叹句吧)After the World Premiere at the Portland Film Festival, the film has screened in Barcelona, Los Angeles, Phoenix, UC Berkeley, Vancouver, Canada, and Milan, Italy, among other places.
Photo: Katy Kildee
I’m very excited to announce that Daryl Hannah has agreed to narrate the film!
She was my first pick, since she’s well known for her environmental advocacy and her activism specifically on urban farming.
I couldn’t be more thrilled that she said yes and
and I are busily writing the narration for the recording session next month.
Happy Spring Planting to all!
We’re very excited to announce that The Moonshine, a great Portland band that just released their debut album, just jumped on board to record some instrumental songs for Plant This Movie.
Led by the amazing Michael Levasseur and featuring at least two members who have been farmers themselves, this is a perfect fit for the film!
Check out tracks from their album .
The film is in the last mile of the marathon!
On Nov. 15, we had a rough cut screening at the wonderful Muse School in Los Angeles, thanks to Paul Hudak, who has moved from his project in Portland to head the gardening program at Muse.
It was a really great day as I went around to all the classrooms from kindergarten to middle school, answering students’ questions about the film and my travels.
Then that night I screened a rough cut of the film for community members, after an out-of-this-world dinner prepared by the school’s in-house vegan chef, Kayla Roche.
Several leaders of the Los Angeles area urban farming movement were in attendance, including Mud Baron and Camille Cimino.
It was great to get their feedback on how to take the film from rough to final cut!
Post-production is going strong, and for any last-minute donations, I’m pointing people towards
at my wonderful fiscal sponsor, The International Documentary Association in LA, where all of your donations are tax deductible.
Thank you so much for your support, and I hope to see you all at a screening of the film this year!
photo credit: Peter Menchini
Update: David got out of jail and the farmers are undaunted.
They’re
on Saturday the 18th!
I just found out today that David Grefrath was arrested two days ago when the police raided Occupy the Farm yet again.
I went through and picked a few of the best of the many insightful things that David had to say during my interview with him and a few others on Nov. 5 of 2012, just a few days before UC plowed under their crops last year.
Hopefully David will be out of jail and back to the great work he does very soon.
The end of the project is in sight!
I’m back in Portland, Oregon, but I’ve found so much going on right here at home that Portland will definitely be part of the film as well.
One of the most amazing projects here in Portland is Terra Nova Community Farm, which is also a high school in the Beaverton School District.
The school’s founder, Paul Hudak, has won numerous awards, and rightly so: he’s a tireless and inspiring leader.
Terra Nova is one of the only student-run CSAs in the country.
Paul told me that the key to the project’s success has been including the student farmers in every decision, from day one when they opened up the first seed catalogs together, to major decisions on the direction the farm has taken over the years.
From talking to several long-term students, I can see that he’s succeeded in creating a sense of ownership.
Students have helped build greenhouses and an earthen pizza oven, among other projects, and they are all very dedicated to the farm.
Michael Morton, for example, graduated from Terra Nova over a year ago but he still makes it back regularly to help out.
He has a unique perspective on food and health because he’s now working as a paramedic-in-training with a local firehouse, so he sees the connection between the types of food that people are eating and their overall health when he goes on calls to patients’ homes and sees the empty fast food wrappers lying nearby, while the patients are being treated for heart disease or diabetes.
In addition to the CSA, Terra Nova provides large quantities of produce to other schools in the district.
The week that I was there, they harvested over 10,000 cherry tomatoes, so the volume is getting impressive.
They recently expanded to a second location and have been getting interest from other school districts in Oregon and across the country.
Terra Nova is one of many projects that are part of a growing movement to improve and localize school nutrition, from Jamie Oliver’s Food Revolution to Alice Waters’ Edible Schoolyard to Michelle Obama’s White House garden to Paul Hudak’s student-run Community Farm right here in Portland!
In Brooklyn I was able to catch up to Britta Riley, one of the founders of , just after she got back from presenting at SXSW in Austin.
The idea of Windowfarms is to give people who live in apartments a way to grow a little bit of their own food.
Of course nobody is going to make a big dent in the food supply with what they can grow in their apartment window, but that’s not the idea.
As Riley says, it’s not about volume.
“I want to give people their first taste, that little spark of discovery that happens when you look at a root system and you’re like ‘man, I can actually see what’s wrong with the plant here’, and then those people go on to be the people who totally re-envision agriculture.” She’s come a long way in only a few years: Windowfarms is
of more than 30,000 do-it-yourselfers from around the globe, busily refining and improving the original model and sharing their refinements with the rest of the community.
At the end of the interview I asked Britta to show me some low-power LED grow lights that she’d gotten to tinker with as the community works to make them usable on Windowfarms.
This made for some fun light sabre photos.
We are allowed to have fun while we work on saving the world, right?
I also finally visited the famous
rooftop farm.
Having grown up on a farm in Idaho, I can tell you that an acre of farmland perched on the top of a building in New York looks a whole lot bigger than an acre of land in the middle of a field.
I interviewed two of the principals at the farm: co-founder Anastasia and new addition Mike.
Both of their stories illustrated the joy that comes from putting your beliefs into action.
Anastasia had been interested in food politics ever since her time at Vassar College, but she’s gotten an incredible amount of satisfaction after being “bitten by the doing bug” and farming, rather than just writing about food policy.
With her partners, they have proven that small-scale urban farming is financially sustainable in New Y another example to support the argument that for-profit is the way to go to really scale up urban agriculture.
Mike’s story was also pretty amazing.
Just a year ago he was working in corporate advertising while at the same time becoming more and more involved in food advocacy and starting to buy some of his food directly from farmers as well as growing his own.
“I realized that the work that I was doing at my previous job was actually directly conflicting with my own personal beliefs where by day I was in an office wearing a suit on meetings with Kraft Inc. corporate heads and then by night I was an activist trying to run campaigns against Kraft.”
Now that he’s switched over to full time work at the farm, he says he couldn’t be happier.
All in all, my time in New York really energized me and helped me to refine some of the “big picture” messages that I want to get across in the film.
Thanks much to Destiny at Windowfarms for her help and to my guide and host Victoria Smith.
This is exciting – Grist is one of the most popular environmental websites on the web!
I got to New Orleans about a week after Mardi Gras.
As I biked the first day from the Bywater to the Lower Ninth Ward, I crunched on the (in)famous bead necklaces littering the avenue.
Crossing the bridge over the industrial canal, I could look to the right and see the huge cruise and passenger ships on the Mississippi River and look to the left and see Lake Pontchartrain.
A few blocks later, past the rows of houses built by Brad Pitt’s NGO, I’m shocked to see a boat high and dry in the street.
The Lower Ninth is still fairly depopulated seven years after Katrina.
Sometimes only one or two houses on a block are occupied, sometimes none.
In other words, there’s lots of space for farming.
Nate Turner (yep that’s his real name) and his crew run an urban farm at Blair Grocery that is one part farming, one part education, and several parts community building.
They have a constant stream of volunteers coming through from the local area and from universities and church groups from all over the country.
While I was there, Alternative Spring Break students were on site from universities in Virginia, Pennsylvania and Michigan.
Blair’s after-school program is an argument for community building and the profit motive when it comes to urban farming.
All the students I met were African-American high school students, some of whom had been coming there consistently for two or three years.
In addition to urban farming, the school teaches life skills in engaging ways.
One day they were deconstructing a rap video and another day they were looking at what it means to be a strong woman by looking at poetry by women authors.
Needless to say, urban farming also teaches plenty of life skills.
When I interviewed some of the students, they said that two things kept them coming back: the community of fellow students and the $50 weekly paycheck they get for the work they do.
Although Blair has gotten several big grants, they are bringing money in, too: they sell sprouts, arugula, tomatoes, and other vegetables to restaurants, at a Co-op, and at local farmer’s markets.
They also have an aquaponics system up and running, with local fish from the Mississippi in the tank at the bottom and two levels of plants up top.
The Urban Farm at Blair Grocery really is an oasis in the middle of a recovery, and the endless stream of volunteers is only one testament to their success – the stronger proof is in the changes that they’ve brought about in the young people they work with.
Some of these kids are the ones you’ve heard of that didn’t know the names of a lot of vegetables a few years ago, and now they want to grow up to be botanists and farmers.
I also had a chance to interview the legendary Macon Fry (everyone I interviewed there seemed to have a memorable name) while I was in town .
Macon has been in New Orleans since the early 80s and has been a teacher and advisor to a whole generation of farmers.
One tidbit I took away from our conversation: unlike many jobs where you feel like you’re banging your head up against a wall or wondering if you’re really doing anything worthwhile, farming pays back: “All you have to do to see what you’ve just accomplished is look over your shoulder and look at the row of seeds you just planted, or look over at the row you planted last week that’s already sprouting up.”
Macon was humble, too – when I said I’d heard he was the godfather of urbam farming in the Big Easy, he was quick to tell me all about the guy who taught him everything he knows.
From what I saw, Macon Fry and Nat Turner are both living up to their oversized names by leading through example.
These guys aren’t j they have their hands in the rich Louisiana soil every day.
Thanks very much to my fixer, Virginia Currie, and my hosts in New Orleans: Lisa, Jesse, Emily and Adam.
Couldn’t have done it without you!
More of my photos from the New Orleans shoot are .
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