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1980s Teddy Boy outfit worn by , bassist of .
Teddy Boy (also known as Ted) is a
typified by young men wearing clothes that were partly inspired by the styles worn by
in the , which
tailors had attempted to re-introduce in Britain after the .
This section needs additional citations for . Please help
by . Unsourced material may be challenged and removed. (October 2015) ()
Typical black suede creepers fashionable during the 1950s.
Bolo tie featuring Native American design.
It is sometimes inaccurately written[] that the Teddy Boy style and phenomenon appeared in Britain during the mid 1950s as a rebellious side effect to the introduction of American Rock'n'Roll music. The Teddy Boy predates this and was a uniquely British phenomenon.
The subculture started in
in the , and rapidly spread across the UK, then becoming strongly associated with . Originally known as Cosh Boys, the name Teddy Boy was coined when a 1953 Daily Express newspaper headline shortened Edwardian to Teddy.
Wealthy young men, especially Guards officers, adopted the style of the Edwardian era.[] The Edwardian era had been just over 40 years earlier, and their grandparents, if not their parents, wore the style the first time around. The original Edwardian revival was far more historically accurate in terms of replicating the original Edwardian era style than the later Teddy Boy style. It featured tapered trousers, long jackets that bear a similarity to post-war American
and fancy .
There are differing accounts of where the Teddy Boy style actually started and the ensuing pattern of geographical expansion. Some writers[] maintain that the first Teds emerged in the East End and in North London, around Tottenham and Highbury, and from there they spread southwards, to Streatham, Battersea and Purley, and westwards, to Shepherd's Bush and Fulham, and then down to the seaside towns, and up into the Midlands until, by 1956, they had taken root all over Britain. There is however now more evidence[] to support the view that the working class Edwardian style and fashion actually started around the country at about the same time. Part of the reason that South London is seen as the birthplace of the working class Edwardian style is because the popular press of the day reported the emergence of the style. However, there are many reports of the style being adopted in other parts of the country in the early 1950s with young men wearing tighter than normal trousers, long jackets, 'brothel creeper' shoes and sporting
hairstyles.
In 1953, the major newspapers reported on the sweeping trend in men's fashion across all the towns of Britain, towards what was termed the New Edwardian look. However the working class Edwardian style had been on the street since at least 1951, because the style had been created by working class teenagers and not by Saville Row or fashion designers such as .[]
Although there had been youth groups with their own dress codes called
in 19th century
and , Teddy Boys were the first youth group in
to differentiate themselves as , helping create a youth market. The US film
marked a watershed in the United Kingdom. When shown in Elephant and Castle, south London in 1956, the teenage Teddy boy audience began to riot, tearing up seats and dancing in the cinema's aisles. After that, riots took place around the country wherever the film was shown.
Some Teds formed gangs and gained notoriety following violent clashes with rival gangs which were often exaggerated by the popular press. The most notable were the , in which Teddy Boys were present in large numbers and were implicated in attacks on the
community. The violent lifestyle was sensationalised in the pulp novel Teddy Boy by Ernest Ryman, first published in the UK in 1958.
Examples of Teddy Boy clothing worn by Ray Stiles and
band : drape jackets, brothel creepers and . (source:).
Teddy Boy clothing included
reminiscent of 1940s American
communities (such as
or ), usually in dark shades, sometimes with a velvet trim collar and pocket flaps, and high-waist , often exposing the socks. The outfit also included a high-necked loose-collared white shirt (known as a Mr. B. collar, because it was often worn by
musician ); a narrow "Slim Jim" tie or western , and a
. The clothes were mostly -made at great expense, and paid through weekly installments.
Favoured footwear included highly polished , chunky , and crepe-soled shoes, often
(known as ). Preferred hairstyles included long, strongly-moulded greased-up hair with a
at the front and the side combed back to form a
at the rear. Another style was the "Boston", in which the hair was greased straight back and cut square across at the nape.
Teddy Girls wore drape jackets, , , long plaits, rolled-up jeans, flat shoes, tailored jackets with velvet collars, straw
hats, cameo brooches, ,
and long, elegant clutch bags. Later, they adopted the American fashions of toreador , voluminous , and hair in .
The Teddy Girls' choices of clothes were not intended strictly
these girls were collectively rejecting post-war austerity. They were young working class women from the poorer districts of London. They would typically leave school at the age of 14 or 15, and work in factories or offices. Teddy Girls spent much of their free time buying or making their . It was a head-turning, fastidious style from the fashion houses, which had launched haute-couture clothing lines recalling the Edwardian era.
This section needs additional citations for . Please help
by . Unsourced material may be challenged and removed. (June 2011) ()
wearing tartan shawl collar jackets associated with the rockabilly subculture, 1956.
Although Teddy Boys became associated with
music, prior to the advent of that genre, Teddy Boys mainly listened and danced to
music. A well-known dance that the Teddy Boys adopted was The Creep, a slow shuffle that was so popular with Teddy Boys that it led to their other nickname, Creepers. The song "The Creep" came out in 1953, and was written and recorded for HMV by Yorkshire-born big band leader and saxophonist . Although this was not a rock and roll record, it was widely taken on by the Teddy Boys of the time. From 1955, rock and roll was adopted by the Teddy Boys when the film Blackboard Jungle was first shown in cinemas in the UK, and Teddy Boys started listening to artists like ,
wearing electric blue drape jacket, 1970s.
This section needs additional citations for . Please help
by . Unsourced material may be challenged and removed. (June 2011) ()
During the 1970s,
music enjoyed a renewed period of popularity and there was a resurgence of interest in Teddy Boy fashions. The look was promoted by
through their shop Let it Rock, on London's . This new generation of Teds adopted some aspects of the 1950s but with a large
influence, including louder colours for drape jackets, brothel creepers and socks and shiny satin shirts worn with , jeans and big-buckled belts.
emulated this style in the early formation of . The 1970s Teddy Boys often sported flamboyant pompadour hairstyles in addition to long sideburns and were alleged to prefer hairspray over grease to style their hair. In the late 1970s, the new generation became the enemies of the Westwood and Sex Pistol-inspired . In the spring of 1977, street battles between young punks and aging teds happened on London's King's Road, where the earliest new wave shops, including Westwood and McLaren's Sex (by now not selling zoot suits and ted gear anymore), were situated.
, a popular vehicle for Teds.
In the late 1980s, there was a move by a number of Teddy Boys to revive the 1950s Teddy Boy style. In the early 1990s, a group of Teddy Boy revivalists in the
formed 'The Edwardian Drape Society' (T.E.D.S). The group concentrated on reclaiming the style which they felt had become bastardised by pop/ bands such as
in the 1970s. T.E.D.S. was the subject of a short film, The Teddy Boys, by .
, a similar subculture in Australia and New Zealand
subculture said to predate and overlap with Teddy Boys
, a similar subculture in Sweden
. The Edwardian Teddy Boy. The Edwardian Teddy Boy 2012.
. www.mrsite.co.uk.
. Retrieved: 15 October 2015
Chalmers, Sarah (17 January 2009). . Daily Mail. pp. 60, 61.
Gelder, K Sarah Thornton (1997). . Editors. Routledge. p. 401.  .
Cross, Robert J.
(PDF). Doshisha University Academic Depsitory: 22.[]
. Black Cat Rockabilly Europe. Black Cat Rockabilly Europe 2012.
. The Great British Teddy Boy. THE GREAT BRITISH TEDDY BOY 2012.
. Subculture List. .
. Messynessychic.com. February 10, 2013. These are one of just a few known collections of documented photographs of the first British female youth culture ever to exist. In 1955, , then a freelance photographer, was introduced to Josie Buchan, a Teddy Girl who introduced him to some of her friends. Russell photographed them and one other group in Notting Hill. After his photographs were published in a small magazine in 1955, Russell’s photographs remained unseen for over half a century. He became a successful film director in the meantime. In 2005, his archive was rediscovered, and so were the Teddy Girls.
. The Edwardian Teddy Boy 2013.
. History is made at night. 31 December .
. THE GREAT BRITISH TEDDY BOY. THE GREAT BRITISH TEDDY BOY 2012.
(Motion Picture). Grove Street Pictures and Spitfire Pictures. October 2011. Event occurs at 9 minutes in.
. define rockabilly. AskDefine.com 2012.
. cambridge-news.co.uk. Archived from
on 16 September 2006.
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