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＞＞＞The prize will go to the writer ________ story shows the mos..
The prize will go to the writer ________ story shows the most imagination.
A．that&&B．which&&C．whose&&D．what
题型：单选题难度：中档来源：江苏模拟题
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据魔方格专家权威分析，试题“The prize will go to the writer ________ story shows the mos..”主要考查你对&&限制性定语从句，关系代词&&等考点的理解。关于这些考点的“档案”如下：
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限制性定语从句关系代词
限制性定语从句的概念：
限制性定语是指对被修饰名词或代词的必需修饰，是被修饰名词或代词不可缺少的修饰语，如果去掉它句子意思往往会不明确或会发生变化。如：The travellers knowing about the floods took another road. 知道发大水的那些游客改道走了。&&&&&&& The boys wanting to play football were disappointed when it rained. 想踢足球的那些男孩子因为下雨而感到失望。关系代词引导的定语从句：
关系代词所代替的先行词是人或物的名词或代词，并在句中充当主语、宾语、定语等成分。关系代词在定语从句中作主语时，从句谓语动词的人称和数要和先行词保持一致。 1）who, whom, that 这些词代替的先行词是人的名词或代词，在从句中所起作用如下： 例：Is he the man who/that wants to see you? 他就是你想见的人吗？（who/that在从句中作主语）&&&&&&&&&&&&&He is the man whom/that I saw yesterday. 他就是我昨天见的那个人。（whom/that在从句中作宾语） 2)Whose用来指人或物，(只用作定语,若指物，它还可以同ofwhich互换）例：They rushed over to help the man whose car had broken down. 那人车坏了，大家都跑过去帮忙。&& &&&&&&& Please pass me the book whose(of which) coverisgreen. 请递给我那本绿皮的书。 3）which, that 它们所代替的先行词是事物的名词或代词，在从句中可作主语、宾语等。例如：A prosperity which/that had never been seen before appears in the countryside. 农村出现了前所未有的繁荣。（which/that在句中作宾语） &&&&&&&&&&& The package(which/that) you are carrying is about to come unwrapped.你拿的包快散了。(which/that在句中作宾语）
关系副词引导的定语从句：关系副词可代替的先行词是时间、地点或理由的名词，在从句中作状语。 1）when, where, why 关系副词when, where, why的含义相当于“介词+which”结构，因此常常和“介词+which”结构交替使用。例如：There are occasions when(on which) one must yield.任何人都有不得不屈服的时候。 &&&&&&&&&&& Beijing is the place where(inwhich) I was born. 北京是我的出生地。 &&&&&&&&&&& Is this the reason why(for which) he refused our offer? 这就是他拒绝我们帮助他的理由吗？ 2）that代替关系副词 that可以用于表示时间、地点、方式、理由的名词后取代when, where, why和“介词+which”引导的定语从句，在口语中that常被省略，例如：His father died the year(that/when/in which) he was born. 他父亲在他出生那年逝世了。 &&&&&&&&&&& He is unlikely to find the place(that/where/in which) he lived forty years ago. 他不大可能找到他四十年前居住过的地方。 限定性定语与非限定性定语的区别：
1、形式不同：限定性定语从句主句和从句之间不用逗号隔开，口语中使用时也不停顿；而非限定性定语从句与主句之间通常有逗号隔开，口语中使用时有停顿。 2、功能不同：&限定性定语从句用于对先行词的意义进行修饰、限制和识别，如果去掉，就会造成句意不完整或概念不清；而非限定性定语从句用于对先行词起补充说明作用，如果省略，句意仍然清楚、完整： 如：People who take physical exercise live longer. 进行体育锻炼的人活得长些。(若把从句去掉句子就失去意义) &&&&&&& His daughter, who is in Boston now, is coming home next week. 他女儿现在在波士顿，下星期回来。(若把从句去句子意义仍然完整) 3、翻译不同：在翻译定语从句时，一般把限定性定语从句翻译在它所修饰的先行词之前，而把非限定性定语从句与主句分开： 如：He is the man whose car was stolen. 他就是汽车被窃的那个人。 &&&&&&& I've invited Jim, who lives in the next flat. 我邀请了吉姆，他就住在隔壁。 4、含义不同： 如：I have a sister who is a doctor. 我有一个医生的姐姐。(姐姐不止一个) &&&&&&& I have a sister, who is a doctor. 我有一个姐姐，她是当医生的。(只有一个姐姐) 5、先行词不同限定性定语从句的先行词只能是名词或代词，而非限定性定语从句的先行词则可以是名词或代词，也可以是短语或句子；另外，当先行词为专有名词或其他具有独一无二性的普通名词时，通常要用非限制性定语从句，而不用限制性定语从句： 如：Peter drove too fast, which was dangerous. 彼得开车很快，这是很危险的。(which指drive too fast) &&&&&&& He changed his mind, which made me very angry. 他改变了主意，这使我很生气。(which指整个主句) &&&&&&& Mr.Smith, who is our boss, will leave for Japan next week. 我们的老板史密斯先生下周要去日本。(先行词为专有名词，要用非限制性定语从句修饰)&& &&&&&&& Her father, who has a lot of money, wishes her to study abroad. 她父亲很有钱，希望她出国学习。(先行词为表独一无二意义的普通名词，要用非限制性定语从句修饰) 6、关系词不同：关系词that和why可用于限制性定语从句中，通常不用于非限制性定语从句；另外，在限制性定语从句中，关系词有时可以省略，而在非限制性定语从句中关系词一律不省略。 判断关系代词与关系副词方法：
一：用关系代词，还是关系副词完全取决于从句中的谓语动词。及物动词后面无宾语，就必须要求用关系代词；而不及物动词则要求用关系副词。例如：This is the mountain village where I stayed last year. &&&&&&&&&&& I'll never forget the days when I worked together with you. 判断改错（错）This is the mountain village where I visited last year. （错）I will never forget the days when I spent in the countryside. （对）This is the mountain village(which) I visited last year. （对）I'll never forget the days(which) I spent in the countryside. 注：习惯上总把表地点或时间的名词与关系副词where, when联系在一起。此两题错在关系词的误用上。二：准确判断先行词在定语从句中的成分(主、谓、宾、定、状)，也能正确选择出关系代词/关系副词。例1. Is this museum ___ you visited a few days age? &&&&&&& A. where&&&&&&&& B. that &&&&&& &C. on which &&&&&&& D. the one 例2. Is this the museum ____ the exhibition was held.&&&&&&&&& A. where&&&&&&&&&B. that &&&&&&& C.on which &&&&&&& D. the one 答案：例1：D，例2：A 例1变为肯定句：This museum is___ you visited a few days ago. 例2变为肯定句：This is the museum ___ the exhibition was held. 注：在句1中，所缺部分为宾语，而where, that, on which都不能起到宾语的作用，只有the one既做了主句的表语，又可做从句的宾语，可以省略关系代词，所以应选D。而句2中,主、谓、宾俱全，从句部分为句子的状语表地点，既可用副词where，又因in the museum词组，可用介词in+which引导地点状语。而此题中，介词on用的不对，所以选A。关系词的选择依据在从句中所做的成分，先行词在从句中作主、定、宾语时，选择关系代词(who,whom,that,which,whose)；先行词在从句中做状语时，应选择关系副词(where地点状语，when时间状语，why原因状语)。 定语从句知识体系：
&关系代词that的用法：
1）不用that的情况： a)在引导非限定性定语从句时。 如：（错）The tree, that is four hundred years old, is very famous here. b)介词后不能用： 如：We depend on the land from which we get our food. &&&&&&& We depend on the land that/which we get our food from.2)只能用that作为定语从句的关系代词的情况 a)在there be句型中，只用that，不用which。 b)在不定代词，如：anything, nothing, the one, all, much, few, any, little等作先行词时，只用that，不用which。 c)先行词有the only, the very修饰时，只用that。 d)先行词为序数词、数词、形容词最高级时，只用that。. e)先行词既有人，又有物时。例：All that is needed is a supply of oil. &所需的只是供油问题。&& &&&&&&& Finally, the thief handed everything that he had stolen to the police. 那贼最终把偷的全部东西交给了警察。 关系代词的概念：
英语中的关系代词有who, whom, whose, that, which, 它们是用来引导定语从句的。关系代词既代表定语从句所修饰的词，又在其所引导的从句中承担一个成分，如主语、宾语、表语、或定语。如：This is the man who saved your son. (who在从句中作主语，先行词是man）&&&&&&&& The man whom I met yesterday is Jim. &&&&&&& A child whose parents are dead is an orphan. &&&&&&& He wants a room whose window looks out over the sea.关系代词用法：
1、that与which的用法区别：&&&&& 两者都可指物，常可互换。其区别主要在于： （1）引导非限制性定语从句时，通常要用which： 如：She received an invitation from her boss, which came as a surprise. 她收到了老板的邀请，这是她意想不到的。 （2）直接放在介词后作宾语时，通常要用which： 如：The tool with which he is working is called a hammer. 他干活用的那个工具叫做锤子。 （3）当先行词是下列不定代词或被它们修饰时much, little, none, all, few, every(thing), any(thing), no(thing)等时，通常用that： 如：There was little that the enemy could do but surrender. 敌人无法,只有投降了。 &&&&&&& All[Everything] that can be done must be done. 凡能做的事都必须做。 （4）当先行词有the very, the only, the same等修饰时，通常用that： 如：This is the only example that I know. 我知道的例子只有这一个。 &&&&&&& Those are the very words that he used. 那是他的原话。 （5）当先行词有形容词最高级或序数词（包括last, next等）等修饰时，通常用that： 如：This is the best dictionary that I've ever used. 这是我用过的最好的词典。 &&&&&&& The first thing that you should do is to work out a plan. 你应该做的第一件事是订个计划。& （6）当关系代词在定语从句中用作表语时，通常用that： 如：China is not the country(that) it was. 中国已不是过去的中国了。 （7）当先行词是一个既指人又指物的并列词组时，通常用that： 如：They talked about the persons and things that most impressed them. 他们谈论了使他们印象最深的人和事。 （8）当要避免重复时： 如：Which is the course that we are to take? 我们选哪门课程？ 2、that与who的用法区别： （1）两者均可指人，有时可互换： 如：All that[who] heard him were delighted. 所有听了他讲话的人都很高兴。&&&& &&&&&&& Have you met anybody that[who] has been to Paris? 你遇见过到过巴黎的人吗? &&&&&&& He is the only one among us that[who] knows Russian. 他是我们中间唯一懂俄语的人。 （2）但是在下列情况，通常要用that：&& &①当先行词是一个既指人又指物的并列词组时：&如：I made a speech on the men and things that I had seen abroad. 我就我在国外所见到的人和事作了报告。 && ②当先行词是who时(为避免重复)： 如：Who was it that won the World Cup in1982? 谁赢得了1982年的世界杯？ && ③当关系代词在定语从句中作表语时(可省略)： 如：Tom is not the boy(that) he was. 汤姆这孩子已不是以前那个样子了。关系代词知识体系：
&关系代词用法拓展：
1、as与which的用法区别：(1)引导限制性定语从句时，在such,as,thesame后只能用as，其他情况用which： 如：I never heard such stories as he tells. 我从未听过他讲那样的故事。 &&&&&&& It's the same story as I heard yesterday. 这故事跟我昨天听到的一样。 &&&&&&& This is the photo which shows my house. 这张照片拍的是我的住宅。 (2)引导非限制性定语从句时，有时两者可互换： 如：I live a long way from work, as [which] you know. 我住得离工作单位很远，这你是知道的。 (3)但在，在以下情况引导非限制性定语从句时，两者不可换用： ①当从句位于主句前面时，只用as： 如：As is known to everybody, the moon travels round the earth once every month. 月球每月绕地球转一周，这是每个人都清楚的。 ②as引导的非限制性定语从句应与主句在意义上和谐一致，which无此限制： 如：He went abroad, as[which] was expected. 他出国了，这是大家预料到的。 &&&&&&& He went abroad, which was unexpected. 他出国了，这让大家感到很意外。(不用as) ③as引导非限制性定语从句时，先行词通常不能是主句中某个具体的词，而应是整个句子、整个短语或某个短语推断出来的概念，而which则无此限制： 如：The river, which flows through London, is called the Thames. 这条流经伦敦的河叫泰晤士河。(不用as) ④当as引导非限制性定语从句作主语时，其谓语通常应是连系动词，而不宜是其他动词，而which则无此限制： 如：She has married again, as[which] seemed natural. 她又结婚了，这似乎很自常。 &&&&&&& She has married again, which delighted us.她又结婚了，这使我们很高兴。(不用as) 2、who与whom的用法区别：两者均只用于人，从理论上说，who为主格，whom为宾格： 如：Where's the girl who sells the tickets? 卖票的女孩在哪里？ &&&&&&& The author whom you criticized in your view has written a letter in reply. 你在评论中批评的那个作者已写了一封回信。但实际上，除非在正式文体中，宾格关系代词whom往往省略不用，或用who或that代之： 如：The man(that, who, whom) you met just now is called Jim. 你刚遇见的那个人叫吉姆。不过，在以下几种情况值得注意： (1)直接跟在介词后面作宾语时，只能用whom，而且不能省略： 如：She brought with her three friends, none of whom I had ever met before. 她带了3个朋友来，我以前都没见过。 (2)引导非限制性定语从句且作宾语时，who和whom均可用，但以用whom为佳，此时也不能省略： 如：This is Jack, who[whom] you haven't met before. 这是杰克，你以前没见过。
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are Neesha Gobin & Catsou Roberts. They are the inspired people behind Vital Arts. An organisation that is transforming our hospitals by delivering arts projects for the well-being of patients, staff and the wider hospital community. The team work in partnership with medical staff, artists and cultural organisations to devise and deliver therapeutic creative programmes – workshops, artist-in-residencies, exhibitions, installations and public art commissions – that s enhance patient well- provide continual professional development opp and create stimulating and uplifting spaces for patients, staff and the wider hospital community.
A sterile labyrinth of corridors and clinical rooms void of personality make hospitals scary places to visit for the majority of people. Vital Arts are looking to change that experience by transforming spaces, engage patients and make hospitals a better environment for all.
Vital Arts deliver arts projects for the well-being of patients, families and staff. We meet Catsou Roberts, Director and Neesha Gobin, Arts Manager in a hospital that has three towers, the highest of which has 14 floors, with 675 beds, 110 wards and 26 operating theatres. This is a lot of space to fill with work by professional artists, and it is just one of the five hospitals that Vital Arts deal with.
Walking through the revolving doors at the entrance we are hit with a flood of colour in geometric shapes reaching up the walls on tiles designed by renowned artist Morag Myerscough. The space immediately feels brighter, more welcoming and a whole lot more interesting than any hospital we’ve ever been in. Neesha greets us at the entrance and explains, “Because this is the Women and Children’s entrance we wanted to create a space that is bright and welcoming and Morag’s work does just that.” Vital Arts, established 20 years ago, is charitably funded and raises money for all its projects. They set out to commission site-specific, permanent artwork that has a real engagement with the architectural space, creating something unique for each designated area.
We meet Catsou, who is waiting for us in the Children’s Imaging Department eager to show us the latest installation by Tatty Devine.
“Tatty Devine make jewellery that blurs the boundaries between art and fashion so commissioning them to make their first work for an architectural context was exciting.”
The installation includes thousands of individual acrylic pieces carefully arranged to create kaleidoscopic compositions that catch the light like only jewellery can. The context was exciting.” The installation includes thousands of individual acrylic pieces carefully arranged to create kaleidoscopic compositions that catch the light like only jewellery can. The numerous artworks commissioned by Vital Arts can be seen in the corridors, reception areas and importantly the treatment rooms breathing colour and life into an area that could otherwise be intimidating for children. Neesha says,
“As soon as we put up the artwork, the staff were delighted and told me it was lovely to see how the space was transformed. They responded to the vibrancy of it, as did the patients and their families who enjoy its playfulness.”
Vital Arts are the link between the artist and everyone in the hospital. They work closely with clinicians, staff and patients to ensure the best outcomes. Catsou said, “It’s their space and they need to feel an affinity with the art, just as we aim to reach patients using the services who might not otherwise have access to contemporary art.”
The selected artists come and spend time in the hospitals giving them a greater understanding of how the patients and staff use the space. For example, Jacques Nimki, an artist commissioned by Vital Arts, went to the children’s A&E several times in the middle of the night to understand the energy of the environment before beginning his work. Neesha said, “We are always thinking about the demographics of who will be viewing the artwork, how and when they will be seeing it. We consider whether they will be walking through a corridor, sitting in a waiting room, lying down and looking at the ceiling, and so provide artwork to be seen in various ways.” We catch a lift up to another children’s area, where the space is vibrant, playful and brilliantly tailored for the audience. In the radiography rooms there is art set into the ceiling so patients receiving treatment have something to focus on when they have to lie still. On this site alone Vital Arts have nearly every floor covered, which is astonishing. One of the great things about the artwork is that you forget you’ the cold, sterile, empty corridors and rooms you associate with them are gone. Catsou explained,
“Unlike museums that have opening times, this building is never emptied of possible viewers. The art is beaming from the hospital walls 24/7. I love the fact that at any time of the day someone is likely to be looking at a great work of art, and quite possibly, enjoying an eye-catching and mind-opening experience.”
As well as the art installations they also run a Patient Participation Programme which provides year-round opportunities for patients to engage with music, dance, poetry, and other arts. One particular programme with the London Symphony Orchestra enabled singers and musicians to perform to patients. In the neonatal ward for example, the musicians would sing lullabies to babies in incubators. Neesha said,
“The nurses noticed the babies’ heart rates dropping, their oxygen rates rising and the parents feeling more relaxed. For just a moment or two, a little calm is brought into their lives, and it makes a noticeable difference.”
This participation programme is partly funded by the sale of limited edition works which Vital Arts produces with some of the artists—often as a result of an artist-in-residency—allowing the team to continue delivering new ways of patient interaction. Another successful project involved Trinity Laban Conservatoire of Music and Contemporary Dance, who encourage movement in patients. Neesha said, “One visiting daughter had not seen her mother engage in any form of activity since her admission into hospital. Yet on this occasion, her mother was singing and clapping along to the music played by the dance artists and both mother and daughter were visibly uplifted.”
Catsou added, “Our priority is to assist clinical aims and enhance the hospital environment, and this is an effective way to do that—as attested by our physio colleagues, and supported in many recent studies on arts in healthcare.” It’s clear to see the team are passionate about what they do. Catsou says, “I want to raise the standard of what art can be in hospitals.” They also want to act as a beacon encouraging other hospitals to be courageous, ambitious and discover new artists—not to just reach for off-the-shelf solutions by recycling artists who have already made work in hospitals. They are focused on delivering innovative projects, constantly pushing themselves and the artists to create work that is fresh, interesting and meaningful.
There are hospitals around the world with empty walls, harshly lit clinical wards and intimidating operating theatres. They are places of work for professionals worldwide and are visited by millions of patients each year. What Vital Arts have done is special, it’s visionary, it opens artwork to a new audience that cleverly responds to the space it occupies and improves the patient experience within. Vital Arts have shown how some imagination can transform hospitals, making them less frightening and more uplifting. The team aren’t motivated by money, rather, they are interested in how they can offer life-changing encounters with significant contemporary art. What they do is create unique spaces which have a positive impact on everyone who spends time there.
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